![]() ![]() Their exceptionally distinctive and oft-imitated sound emerged fully formed on the early EPs, and for now, at least, they're sticking with it. As similar as this album is to the rest of the band's catalog, it seems a safe speculation that the concept of "reinvention" is not part of the Boards of Canada M.O. Geogaddi provides a clear answer: not so far, really. As Marcus Eoin and Michael Sandison toiled away in secrecy in their Hexagon Sun studio and remote artists' compound, fans speculated about possible new directions: where would they go next? ![]() It's been four long years since this Scottish duo's landmark debut, and during this time, we've seen an uncountable number of "kind of like Boards of Canada" bands drifting by, with only a toddler's handful of new material released by the Boards themselves- namely, the In a Beautiful Place out in the Country EP, released in late 2000. The reputation of Music Has the Right to Children has everything to do with why Geogaddi is one of the most anticipated records of 2002 for indie and electronic music fans of all stripes.
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